Camilla Rossi

"Camilla Rossi has a precise style with which she establishes the boundaries of the formal connections that bring the different works together and establish their profound consecutive narrative logic.
The element of the narrative is precisely the most committed trait of his doing, because that desire to stratify the forms, i volumi, the chromatic traces refer to a continuous scanning of one's own doing, to a repeated filtering of the data of visual sensitivity that refers to an uninterrupted sequence of works that seem, then, obviously bind to each other. […]
rhizome, Architectures, Volcanic there are some typological "phases" with which the artist makes a painting vibrate that, while dominated by the freedom of the gesture, from the immediacy of the nuance, he never gives up on careful and careful meditation, thought and, de facto, "Included". Rossi in the continuous pouring of the sign magma of his pictoriality never stops thinking, to have clearly understood the weight and value of his aesthetic will. There is never totally the intervention of the case, but controlled chaos has within itself the regulation of its own laws, predisposed to integrate with the determination that is ultimately - each time in a different way - in the ability of others to grasp and amplify his ideas ".

From the critical text “Formal connections and narrative coherence, the pictorial story of Camilla Rossi ”by Matteo Galbiati.

This volume, which celebrates the twenty years of Camilla Rossi's artistic career, it is published on the occasion of the personal exhibition rhizome, edited by Matteo Galbiati, set up at Villa Glisenti (Villa Carcina - BS) from 9 November to 1 December 2019.

Funded with Vanillaedizioni Crowdfunding Platform

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