Vettor Pisani

According to the analysis of K. Jaspers, dating back to the early 900, Pisani's work appears within his epileptic aura that remains metaphorically dictated by the stickiness of the condition and appearance of conflict contemporary. The art of politics is because Pisani is public hysteria (or better in public), that tends to affect the viewer through Theatrum della ferita. With the very current, and until the end of this, "Male, feminine and androgynous. Incest and cannibalism in Marcel Duchamp”, Pisani - in carrying on the teachings of the Rosicrucians, alchemical rituals, the esoteric philosophies, the mystery of the Sphinx, the myth of Oedipus and the figure of Klein and Beuys, in the wake of a psychoanalysis of freedom, understood as a tragic thought and symbolic hermeneutics of experience - once again the problem of the possible existence of compatibility between art and reality of evil, trying to transcend the entrenched Western tendency to attenuate, or even remove, quell'incoercibile evil and demonic energy, inevitably created the impression that, stumbling block that art, aesthetics ethics e tutta, can not afford to ignore or circumvent.

Taken from the text Culminating experience and the ontology of the slide in Pisani! Art beginning of the pain Gabriele Perretta