The Myth of the True - Situation

Most of the fragment, but not yet landscape. Can abstract a concept of advertising, to the situation, that the English language effectively juxtaposes, as its synonym, al termine atmosphere. Concept chameleon, sfocato, sviante. Precisely for this attraction, intellectually fertile. The paradox of situationism lies in its suffix. How to put together an idea of ​​vision is enhanced if the lack of intentionality in worship of perception touched, frame subtracted all'incosapevolezza, end of imaginal forgot to redeem the reification, to free from the dictatorship of the standard? What do you want to teach painting situazionistica now re-emerging with the interior of houses, unmade beds, furnishings, scattered groups of objects, foods, consumer goods? That the threshold el'intercapedine are the root of Dasein? That every representation and artistic expression work by decapitation, formulates and reformulates worlds Circumvention / erosion, as in Genesis, God creates the cosmic elements and forces through acts of separation? Points of the border, borderline, perhaps prove the most effective matrices of identity and identification, as if the shadow of the interstices harbored the mystery generative. The game times, the intersection of perceptions, generativity of repetition, carry a set of images, impressions, reports from one status to another.

Volume published on the occasion of the exhibition "The Myth of Truth – Situation”: 15 June – 8 July 2011, Spazio Guicciardini Milan | 18 June – 13 July 2011, Guidobono Palace Tortona

www.arcadiarte.org

On the cover (fronte e retro)
Leonardo da Vinci's Last Supper (particular)
Refectory of Santa Maria delle Grazie, Milan
© Haltadefinizione Image Bank
Courtesy of the Ministry of Heritage and Cultural Activities
Superintendence for Architectural Heritage and Landscape, Milan