Carmine Ciccarini. Brain Maps

Ciccarini, that he attended in New York in the 80s Jean Michel Basquiat (brilliant artist and inventor of the underground graffiti art subway the greatest expression), often painted around his city wiped out opium fields, focusing just on those deadly sins that men often poison metropolitan.
New York, the greatly mela, the first true metropolis of history with its excesses and contradictions in the painting becomes Ciccarini absolute symbol of the contemporary city.
In the different formal solutions of the painting Ciccarini, NY is transfigured and recognizable only in occasional element as the Brooklyn Bridge, a skyscraper, a square. […] The yellow of a taxi that passes quickly bounces off the skyscraper creating expectation to reach a glimmer of hope as the viewer.
The colorful brush strokes vibrate as electronic notes of the music of the 80s. Sparkling flashes of that energy that electrifies the city, Stunning views and confuses the mind and the artist returns on canvas.
Touches of white light artificial data as windows that open on the existence of others, and that invite the eye to enter.
Ciccarini knows the importance of light and not surprisingly its vanishing points always correspond to the light.

From Critic Brain Maps. Entropy of the art systems in Roberta Semeraro