Antonia Trevisan
Born in Vicenza, lives and works between Vicenza and Venice. After his studies first at the Scientific High School and then at the Experimental Technical Institute where he follows the painting workshops, design for furniture, planning and drawing, Antonia Trevisan enrolls in the Faculty of Sociology of Trento, but he continues to deal mainly with graphic composition and photography.
From 1970 attends, at the Gigi Lanaro workshop in Vicenza, evening appointments with, among others, the architects Carlo Scarpa, Arrigo Rudi, Giorgio Bellavitis, Federico Motterle, Umberto Tubini and Domenico Sandri, the ceramic artist Pompeo Pianezzola, the glass sculptor Luciano Vistosi, the weaver and designer Renata Bonfanti. In those years he began to design and implement his first stained glass windows using colored blown cut glass sheets, inserted between shatterproof glass panels.
In 1988 creates the brand "Antonia Trevisan ideas color" with which he makes his work more recognizable by designing and creating artistic glass windows, even large, for public and private customers, in Italy and abroad, even in the United States.
From 2002 dedicates himself more intensely to painting which has always been the glue between his different experiences and which has become visible only in 2010 with the first solo show, which was followed by a large series of exhibitions in Italy and abroad.
Fascinated by the many aspects of art, she elaborates her own personal language using the most diverse materials (in addition to glass, the cloth, the letter, corten steel, lead in the plate, the forex, the plexiglass and so on) investigating the relationship between spirituality and matter through his works (Traces, the hospitality of matter, Vicenza, 2010) the connection between being and one's body (Synaptic space, Venice, 2013), the similarities between Art and Psychoanalysis (Materials, Milan, 2015), the theme of bond and freedom (Bondless, Venice, 2016), that of the relationship between Art and Medicine (scars, Geneva - CH, 2016), the contrast between violence and compassion (Cibiana di Cadore - BL, 2016), reflection on hospitality (Refectory, Venice, 2017), the art of glass (The pearl nest, Glass Museum, Venice, 2018 and Cà Vendramin Calergi, Venice, 2019; The hands of the women of the glass, Villa Heriot, Venice-Giudecca, 2020; Women of Bienno Glass, Casa Valiga - BS, 2020; Reflections and transparencies, Pardes, They aim - VE).
